Ramona Magazine for Girls

Growing Pains: Ramona Mixtape

Come to think of it I've always been really into mixtapes. Thinking back to when I still wore my hair in high pigtails with pink sparkly bobbles — I used to burn CD's onto my chunky white Mac laptop, haul my favourite tracks into an iTunes playlist, and then download my “super cool” mix onto my lime green Nano. Eventually, I splurged on a pack of blank CD’s and started making my playlists hard copy. If I had a boyfriend I would definitely have made him a gushy, angsty and “totally” romantic mix with a handmade CD cover of us decked out with heart stickers – because nothing screams eternal love like a collection of 8 Chris Isaac songs.

In November I sent out a call to Ramona's followers asking for some kickass playlists submissions to feature within the mag. In the end, we published Sandy Hsü's Crushed: Songs For When A Crush Absoutloly Obliterates Your Heart, Georgie Zuzek's Babe-list and my very own Growing Pains. Check out the list below detailing the tracks featured. 


Designing Ramona Magazine for Girls Volume 3

In May 2017 I joined the team at Ramona Magazine for Girls (ramonamag.com) as a ‘general intern’ where I primarily sourced and interviewed local artists — contributing to Ramona’s online presence. Soon after Freya Bennett, Ramona’s co-founder and director, allowed me the opportunity to further my creative involvement, and I advanced into the role of Ramona’s lead graphic designer for Ramona Magazine Volume Three (released November 2017). Additionally I generated the video work for Ramona's Kickstarter campaign, performed week-long Instagram ‘takeovers’ on @ramonaforgirls, and illustrated for a variety of articles featured in Ramona V3 (as well as it’s cover image). 

Click below to buy Ramona Volume Three for $15 AUD:

Talking with artist Evangeline Davis on everything from Trump to the taboo


Aimee: I’ve been watching Vice’s documentary Needles & Pins hosted by Grace Neutral on VICELAND TV recently, and Grace talks about how Tattooing has very much lost its status as a rebellious, outcasting act. Instead, in its place, body alterations such as scarification and tongue slits are gaining underground popularity. 

Photographic Images of period blood, pubic hair, nipples, female masturbation and discharge taken by artists like Arvida Bystrom, Rupi Kaur, Petra Collins, Corrine Day (and also yourself) have popularised such imagery within the artistic community. I wonder, what’s the new ‘scarification’ level on taboo within the photographic community? or are we still only just breaching the acceptability of period pics? 

Evangeline: I think it comes down to how explicit the image is – for example, people react differently and it is seen to be much more taboo to see physical blood and bodily fluids rather than representations of it with fruit or glitter. Imagery is a powerful way to communicate ideas that create discussion around intersectionality, feminism and politics, so the less we shy away from the truth the easier it is to break cultural norms.

Girlhood (with all it’s stickers, bangles, pimples and lumps) has a trendy aesthetic, but one which undoubtedly toys with sexual undertones -say Vladimir Nabokov’s ‘Lolita’ for instance. With Girlhood straddling both the years before, and during, puberty – sex and sexuality is naturally going to be explored both within the girls, and within the images itself. Do you think society has moved past the eras of ‘slut’ shaming girls who expose their skin, their relationships and themselves?

No. Rape culture is very real and victim blaming is immeasurable. Sadly it’s a term expressed by both sexes.

Donald Trump has been elected president by a large portion of the American public. What messages do you wish your work to project in a climate where woman are (once again, as always) seen as pussys to grab (Donald Trump, 2011)?

That we are more than our bodies and that our viewing need not be framed by consumerism, convention or the male gaze!

How has being a female, who is a feminist, affected your career so far? Has your head hit any glass ceilings?*

*The invisible barrier that stops minorities and woman from climbing in the corporate ladder no matter their successes or qualifications.

Fortunately, I have a career that allows me to be my own boss. That being said -from time to time I am talked down to and not taken seriously by the older men handling my film. *Sighs*.

Your Instagram (@madamevangeline) sporadically features a few of them, but ultimately it’s female dominated. Is documenting boys in boyhood next? and if not, why not?

Yes, absolutely! Perhaps not boyhood per se, but I’d like to explore femininity within each gender.

Touchy won ‘NZ Photobook of the Year’ 2016 (congratulations!). What tracks would you recommend the Ramona girls to listen too as they flick through it?

Inspired and Fweaky by Miley Cyrus, Perfect Places by Lorde, Needed Me by Rihanna, Sandcastles by Beyoncé, Mad by Solange (ft. Lil Wayne) and No Scrubs by TLC.

Full Interview now live on Ramona, click link below to read in full:


Text @aimeegreen

Image(s) @madamevangeline